The hat is out of the block. I used scissors to cut the edge following the string line. I like the downwards curve of the edge, which I believe works nicely with the general curviness of the hat. When I took that picture it still needed a good brush up, though.
I’ve added chemical stiffener on the inside because the hat was too soft.
Below is a picture of the inside of the hat. Whereas on the outside you cannot see any wrinkles, on the inside and with the lateral light that is hitting the hat one can see some wrinkles around the “headsize”. The grosgrain has been sewn in place using pink thread, which cannot be seen on the outside because I go in with the needle on the same place I came out (but on a different angle).
I’ve had to sand the edge a lot to get rid of irregularities which are my very own fault for doing a lousy job with the scissors. The edge also needs to be cleaned with a wet cloth to get rid of the white dust.
The trimming is the only thing missing (to tell the truth it’s finished, but you will have to be patient to see the result!)
These days I feel a need for simplicity and hang on to the old adage “less is more” (or more recently the KISS principle).
Since this blog is called “The rantings blah blah”, here goes some ranting…
I feel there are too many overloaded, heavy handed, unbalanced hats and fascinators on the market (with this tendency to add everything but a kitchen sink on the hat/fascinator), that I feel an urge to steer clear of that and to condemn it. The simpler the hat the more difficult it is to make. A simple elegant hat is a challenge (I’m not saying my hats are elegant or simple… but one does strive for that).
Lets do this exercise: Pick up your favorite hat book, old fashion picture of hats, or vintage fashion magazine. I bet the hats you love the most are those that are striking without being overpowering, those with a simple line, those where you say “Wow, that lady looks amazing!” and not “Wow look at that hat, that cannot be comfortable, poor woman!”
Having said that, there are hats where there’s a lot going on (as an example, the wonderful butterfly hat by Philip Treacy) that work wonderfully (or so I think). I think making a complex hat look becoming and in a way “simple” is an even more difficult task.
There, I said it. That’s what I think of the proliferation of fascinators in the market. I have nothing against the fascinator as long as it’s well made (no glue thank you) and it’s becoming. I also encourage the people that only make fascinators to branch out and learn more, because there’s so much more to learn and there is a lot of joy involved in becoming a milliner… and that is why I write this blog, to share what I know.